Sculpture
My sculpture practice is rooted in collaboration with my materials, my environment, and the experiences that surround me. I approach each piece as an open process where weight, balance, texture, and gravity guide the form as much as I do. Rather than imposing a fixed image, I let the material lead, allowing it to bend, resist, crack, or settle into its own shape so the work feels discovered rather than constructed.
Everything around me filters into the work memories, daily encounters, movement, and place. I use references sparingly and strategically, allowing memory to take over so forms shift into something dreamlike and slightly unstable. Animal bodies often emerge within this process, hovering between recognition and abstraction as carriers of instinct, vulnerability, and adaptation.
Through this exchange between hand, material, memory, and environment, the sculptures feel responsive and in motion objects that hold presence while suggesting a world just beyond the familiar.