Process
Process is central to my practice. I approach making as a form of experimentation and world-building, where each material interaction becomes a way of thinking through ideas.
Rather than treating fabrication as a means to a final object, I see the process itself as equally important to the finished work. Trial, failure, improvisation, and repetition all leave visible traces that shape the final piece. Through this iterative approach, my work becomes a record of discovery revealing how objects, systems, and narratives evolve through making.